Work of Post-Art in the Age of Symbiotic Reproduction

A review of from The Market-O-Matic (1.0)

Michele Warther’s work investigates the nuances of pixels through the use of slow motion and close-ups which emphasize the symbiotic nature of digital media. Warther explores abstract and scenery as motifs to describe the idea of infinite artifice. Using loops, non-linear narratives, and slow-motion images as patterns, Warther creates meditative environments which suggest the expansion of time…

The flux creates, the empire accentuates. In the trans-gender artifice, art objects are deprecations of the iterations of the flux — a flux that uses the empire as a zeitgeist to deconstruct ideas, patterns, and emotions. With the synergy of the electronic environment, the flux is superseding a point where it will be free from the empire to transcend immersions into the contortions of the delphic artifice. Work of Post-Art in the Age of Symbiotic Reproduction contains 10 minimal flash engines (also referred to as “memes”) that enable the user to make cultural audio/visual compositions.

  • measuring chains, constructing realities
  • putting into place forms
  • a matrix of illusion and disillusion
  • a strange attracting force
  • so that a seduced reality will be able to spontaneously feed on it


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